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Norton Creek Press

Classic Reprints and Old-Time Wisdom

Note: This site is a combination book catalog and blog. To go straight to the books, use the categories at the top of the links in this post. For the blog, keep scrolling.

Most of the best books ever written are out of print and forgotten. A few old books are considered classics and stay in print, but many equally good books vanish without a trace. At Norton Creek Press, we are bringing a relative handful of the very best books back into print. We read mountains of old books so you don’t have to.

Norton Creek Press is a family business run by Karen L. Black and Robert Plamondon (both writer/farmer/editor/engineers). We started out with a line of poultry books because, when we moved to our Oregon farm, we discovered that the more recent poultry books were not in tune with the needs of small farmers, while older books were. We read several hundred poultry publications, eventually choosing three to bring back into print (and writing a fourth). We’re branching out in directions that match our interests and experience, starting with back-to-the-land books. And there’s more to come!

Chickens and Poultrykeeping

Our line of classic poultry books cover many aspects of poultrykeeping. Most modern poultry books are disappointing, either because they are written at the post-graduate level for industry professionals or superficially for hobbyists. Thoughtful, thorough books that can be understood by the interested layman are no longer being written. With that in mind, we have reprinted the best poultry books of all time. These include Robert Plamondon’s Success With Baby Chicks, Milo Hastings’ The Dollar Hen, F. B. Hutt’s Genetics of the Fowl, and G. F. Heuser’s Feeding Poultry.

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Amelia B. Edwards and Egyptology

A charming blog post, Walk Like an Egyptian, talks about the connection between novelist and travel writer Amelia B. Edwards and the development of modern Egyptology.

After Edwards visited Egypt in 1873 and wrote A Thousand Miles up the Nile, she founded the Egypt Exploration Fund, which supported the efforts of Flinders Petrie, the founder of modern, scientific Egyptology. (Howard Carter, who discovered King Tuthankamen’s tomb, was a student of Petrie’s.)

The blog points out that women novelists and Egyptology go arm-in-arm. For instance, Agatha Christie (Death Comes as the End, Death on the Nile) and Elizabeth Peters (the Amelia Peabody novels) both spent time excavating along the banks of the Nile. In fact, it’s clear that Elizabeth Peters’ Amelia Peabody is based on Amelia B. Edwards, and the action in the first Amelia Peabody book, Crocodile on the Sandbank is based on Edwards’ voyage as told in A Thousand Miles up the Nile.

Get the Book

A Thousand Miles up the Nile is still available in various editions. My very own Norton Creek Press edition is, in my opinion, the best available, because it’s an exact reproduction of the lavishly illustrated second edition, with the whole story in one volume, will no illustrations omitted. (Some editions are only the first volume of a two-volume edition, and most omit the illustrations.)

A Thousand Miles up the Nile is a leisurely and well-written narrative of her time in Egypt, detailing both the ancient monuments and the contemporary people she encountered. As with all Victorian travel writing, it’s a product of a vanished age. But in this case it’s a product of a vanished age talking about another, much older vanished age. The dual perspective casts intriguing shadows!

Current Examples of Ruth Stout’s No-Work Gardening

People still love Ruth Stout’s no-work, no-dig, permanent mulch gardening methods, as described in her book Gardening Without Work. Here are some recent blogs posts from people who use Ruth’s methods in their own gardens:

Growing Food With Greg: Gardening the Easy Way

Greg even includes a video, “How to Build a No-Till Garden in Six Minutes”:

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Plotto: Avoid These Three Huge Mistakes

William Wallace Cook’s plot-suggestion system, Plotto, is woefully misunderstood, even by some of its biggest fans. Let’s take of three of the most basic mistakes that will prevent you from getting the most out of this wonderful plotting aid for writers and screenwriters.

Mistake 1: Taking Plot Hints Literally

At first glance, all plot suggestions in Plotto seem either too vague or too specific. The vague ones can be a bit of a puzzler, but the too-specific ones are easier to work with.

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William Wallace Cook’s Plotto Featured on BBC

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Plotto: The Master Book of All Plots, and its author, William Wallace Cook, were recently featured on BBC Radio, in a program called “Miles Jupp and the Plot Device.” Listen to it here.

Jupp goes into Cook’s tremendously prolific writing life, the difficulty of getting a copy of the original printing of Plotto, and the fact that Plotto does not drop a finished plot into your lap, but takes some effort to master. (Cook later wrote a Plotto instruction manual to clarify how to use the book, which I’ve posted to this site.)

Jupp also discusses Plotto’s influence on at least one other writer, Erle Stanley Gardner, the creator of Perry Mason. Every story introduced a new crime and new characters, which required a new plot.

How prolific was William Wallace Cook? At one point he worked with one, two, or even three stenographers at the same time, dictating one story to each in rotation, and filling in any gaps by sitting down at his typewriter and working on a different story.

Is Plotto a magic plotting device? I think it is, sort of. It’s not going to write your novel for you, but when I took Linda Hamner’s excellent scriptwriting course, it was clear that any movie has enough twists and turns to cause serious brain-freeze, and a TV series or a novel is even more daunting. Personally, I think Plotto is a magic device for subplots, especially if you expect not to cut ’em out and paste ’em down, but to use them as a starting point, or even just to jog your brain into coming up with something better.